‘Tis the season to lounge on the couch and consume a box of mince pies in front of a terrific flick, a poor film, or one that’s awesomely awful.
This year, a selection of new holiday movies strives to join part of our festive viewing—perhaps even joining the ranks alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
So, in a helpful attempt to separate the winners from the losers, and to get into the festive feeling, I watched as many fresh Christmas films as possible in a single day.
Kicking off, ideally, on a high. This release is the only 2025 movie on a famous website's list of the top 100 holiday films of all time.
The musical trio find themselves trapped in the UK after wrapping up their world tour and must return for Christmas. Their attempts are hampered by an villainous Saint Nick, who bursts into melody to declare they won’t get home until they “find their familial spark.”
The back-and-forth between the bickering brothers is entertaining even for the uninitiated, while followers will undoubtedly catch lots of references as they attempt to get back using any means of transport necessary.
It’s a journey of epic proportions.
It’s not a timeless masterpiece, but is excellent for devotees and a positive start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who are obliged to sit through it.
Famous performer Kiefer Sutherland has been cast as a celebrity tricked into a "panto".
“A panto-what??” asks Sutherland’s “hard-to-work-with” and aging action hero Brad Mack, who has seen better days and whose agent has tricked him into thinking he’s performing in high-class London stage.
His Aladdin cast-mates inform him he’s playing Buttons. “Absolutely not,” he retorts. It's easy to predict their reply. Unless you’re ignorant of traditional panto catchphrases.
There are some hilarious moments, some cockle-warming storylines, and the supporting actors is excellent, too.
It’s the kind of movie that would be a bit naff at another season, but is a great entertainment at Christmas.
Festive score: 🎄🎄🎄🎄
A familiar face shows up at the beginning of this film, too, delivering a signature line for the second film in a row. Is this a budding festive ritual?
This time, he’s a musical taxi operator who encounters Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The classic narrative develops as the stingy Mr Sood is haunted by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This Indian Scrooge is at least different from all the others, but sadly he’s not very charismatic and Nayyar’s performance is wooden—a problem when he’s so the main character.
Festive score: 🎄🎄
There's just enough time for a channel's original festive film—which stars Guz Khan as a lovably grouchy guy who “doesn’t really do Christmas.”
But after he is awarded an sizable holiday payout at work, his wife (played by Morgana Robinson) persuades him blowing the money on a vacation to Lapland.
There’s just one issue—he finds out there was an mix-up with his bonus, which should have been £800, and he has to devise a plan for how to return the difference.
Fun while it lasts but not lasting.
Holiday verdict: 🎄🎄
This is one of those Christmas films where the tree, fairy lights and snow are in the setting—Christmas is the scene of the film rather than its raison d’etre—but it feels cosy and festive all the same.
High-powered businesswoman Sydney (starring Minka Kelly) is dispatched to a French chateau to do a deal for a sparkling wine company. On the way, she encounters a fellow in a book store who promises to show her the holidays in the City of Light.
A critic recently declared this is the top new Christmas film of the past few years. That’s a bit of a overstatement, but it is a festive dalliance with a hint of sophistication and gives the required heartwarming sensation.
The scene with a extended debate about Die Hard is very good too.
Christmas tree rating: 🎄🎄🎄
Teenage Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, despite the attempts of his dad (starring James Buckley) to tell him the reality.
The truth is to be discovered, and Chris ventures forth to find it with the expert help of a panel of well-known scientists and personalities.
It’s gentle but charming, and perfect viewing while expecting Santa to visit.
Holiday verdict: 🎄🎄🎄
Michelle Pfeiffer is the mother of a bickering American family who come back together for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s what this is, but in practice it’s really a combination of those aforementioned movies, at least until Pfeiffer’s character finally takes center stage.
Festive score: 🎄🎄
The day’s taken a dip, but thankfully here’s a new offering in the saturated market of predictable, sentimental, cheesy—and highly entertaining—festive fodder.
It’s a tale as old as time: An American woman journeys to a picturesque cold country and ends up finding romance.
In this case, Caprice Bourret plays a publisher
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